在这部七重爱恨同性片中,Petros, a 45-year-old office archaeologist, has just come out of a long-term relationship, disillusioned by the romantic notion of self-less love. During a visit to the ancient theater of Argos, he will meet Husam, a young Arab immigrant. What originally seems like a fleeting encounter between the two men gradually develops into a fully fledged relationship, with Husam proclaiming love to a wary but acquiescent Petros. Petros is, at the same time, involved in a matrix of relationships: Laertes and Migen, second generation Albanian immigrants, together with Alexandra form a classical music trio that Petros helps; Daniel is a gay banker, who believes only in profit; Michael is a patrol policeman, who lives somewhere between reality and imagination. The end is open and ambivalent. The last gesture will be a temporary solution, a compromise so as to bring about existential balance. What will the next move be?
Petros is an archaeologist who experiences the naked Greek paranoia in the center of Athens. Either by choice or coincidence, he comes into contact with people who are "different": An Arab immigrant, who comes to Greece, a land of "infidels", determined to conquer it by any means; A Greek-French cello player, who is burdened by the agony of her alcoholic mother; A young Albanian pianist, who carries the curse of his own personal genius and divinity; A Greek immigrant, who was repatriated but now has nowhere to call home; A bank director, who believes everything can be bought, even love; A patrolman, who creates his own version of socio-political reality. Petros' contact with these people is in fact a traumatic experience. For each encounter he has to pay a price. Sometimes the price is material, while other times it's emotional. At times it is both. Will the experience gained make up for the loss?
